
I know it was only yesterday, but it seems like years ago. I was walking towards Shea in the rain from my parking spot out by Flushing Bay. The other lots were full at 11 o’clock in the morning. As I walked under the Whitestone Expressway, I saw the outer ramps of the stadium filled with a crowd of people looking down on big stage lit up like a studio, where Gary, Keith, and Ron were talking to each other as if they were in the booth. There were policemen everywhere. A big SUV pulled up and the police surrounded it as Yogi Berra shuffled out and everyone started shouting “Yog –i! Yog -!” Yogi waved at the flashes of bright light coming from hands held high above the press of people. He walked into the stadium on a soggy scarlet carpet.
I never thought, when I got my ticket to the last game at Shea, that it would be the most significant regular season game to be played there in 45 years. It was more significant than the last game of last year, because last year had already happened and needed to be redeemed. It was more significant than any of the regular season games played in the seasons we had made the playoffs, because when we have made the playoffs, we’ve almost always won by a large margin. We lost the close pennant races of 1984, 1985, and 1987. We did win in 1973 but that was not as significant because we were winning against all expectations. The only game that might have been as significant was the game in which Melvin Mora came home on a wild pitch in 1999. But that wasn’t quite as significant because we hadn’t won two years before and collapsed the year before. This was really big. And I was kind of overwhelmed by it. I didn’t want this day to be about a do-or-die baseball game. I wanted a day to be alone with Shea and the crowd and my memories.
But I didn’t have a choice. And I was feeling pretty good. Johan Santana had made me so happy on Saturday. And there was a 75% chance that there would at least be a game on Monday. And if there was a game on Monday, or if we won it today, the promised ceremony would not feel like a wake. It would feel like the mining of a rich vein of collective memory. It could propel the Mets, and Shea, into one more glorious month of life.
The stadium filled, completely. And everything feels different when every seat is not merely purchased but filled. Everything feels different. And everything about the 2008 season, and everything about the 45 years the Mets have spent at Shea was going to feel different depending on the outcome of this one single ballgame. I hate this, even though this is the reason I love baseball. I love and hate to be dangled over the pit of possibility. I love and hate knowing how much of a difference one game, one inning, one at-bat, one pitch can make.
I was so glad to be there. But I hated every moment of the game. Except for the moment when Carlos Beltran hit his home run. And I liked Endy’s great catch, and the way he bounded up against the wall as if to remind us of what he had done two years ago. I liked how the crowd was in every pitch for most of the game and I guess I was pleased with the way Perez pitched. I think I would have enjoyed the game in real time if the Mets had gone ahead early and I know I would have enjoyed it in retrospect if they had pulled it out from behind. But when the Marlins hit their home runs in the eighth, and you heard the hiss of air, and you realized that the deep vein had been found and that nothing was going to stop the air and the blood, well, what could you do and what could you say? It was ruined. It could not be retrieved. I was still hopeful in the ninth. But I was hopeful because of a reflex I had developed over 47 years. I had looked at my hand and had seen that the life line was short and I really didn’t expect anything.
The Marlins celebrated when it was over. I had always felt bad for them because they were a good team and no one came to watch them play. Now I was glad that their stadium was always empty. I hoped that they would languish unloved and unnoticed for a very long time to come.
When it was all over and the Marlins had finally heeded our request to “Get Off the Field!” there was an entirely unreal twenty-five minutes as the devastated crowd stood and faced legions of policemen and security guards in orange shirts as someone (not Jane Jarvis) played a dirge-like version of “I Fought the Law and the Law Won.” Behind the unnecessary army, black-suited functionaries with tape measures positioned blue and white standing posters of great Mets moments. Nobody was rushing onto that field. And no one was comforting us.
They showed us a movie about Shea, and they played “New York State of Mind.” Then there was an old-timey version of “Take Me Out to the Ballgame” and then with clueless fanfare, Mr. Met took down the number 1 to reveal some kind of Citifield logo and for the very first time in history the crowd lustily booed something Mr. Met had done. Oh Noooo! Mr. Met, of course, doesn’t talk but I crazily thought of him as Mr. Bill. My brain was completely free-associating by this point. I’m lucky I wasn’t hallucinating.
Then Howie Rose came out to start the real ceremony. He read a list of names of people who had been invited but didn’t come. And then there were people who had survived and were representing people who were dead. And then he read a list of names of people who then walked down the right and left field lines out of the bullpens and took their place in an arch on the field.
Jack Fisher. Ron Hunt. Al Jackson. Frank Thomas. Jim McAndrew. Jon Matlack. Craig Swan. George Theodore. Doug Flynn. Ed Charles. Art Shamsky. Wayne Garrett. Dave Kingman. Felix Millan. John Stearns. George Foster. Tim Teufel. Todd Zeile. Ron Swoboda. Lee Mazzilli. Wally Backman. Ron Darling. Sid Fernandez. Howard Johnson. Bobby Ojeda. Robin Ventura. Al Leiter. Ed Kranepool. Cleon Jones. Bud Harrelson. Jesse Orosco. Edgardo Alfonzo. John Franco. Rusty Staub. Lenny Dykstra. Gary Carter. Jerry Koosman. Yogi Berra. Keith Hernandez. Darry Strawberry. Dwight Gooden. Willie Mays. Mike Piazza. Tom Seaver.
There they were on the field. These deep and close friends I’ve never met. These larger than life figures who live in a special dream world in tens of millions of minds. Here is a man who made me so happy when he hit a home run as I was listening to the family car radio during an intermission between features in the Paramus Drive-In Theatre. There is someone who made me cry when he came back after six years of unforgiveable banishment. There is someone who played on the Mets from when I was in the second grade until the year I got married. There is someone who made me smile because he didn’t look or act like any other ballplayer. There is a shy man no one has seen in years, who was the single most exciting player I have ever seen play.
There was a chunk of my life down on that field. There were the artists who made something that would always be more than a game to me. They were all lined up and I watched them through my binoculars. I saw the old teams come together again, particularly the great team of the Eighties, the team that is about my age. I saw the old team of grown men from the impossibly distant days when I first entered Bob Murphy’s voice. And I saw the newer Mets, who were young enough for my daughter to have fallen in love with. Each of them stood on the field in a big jersey with his number. And then, as the music changed to the kind of music they play at the victory celebration at the end of Star Wars, I saw each of them touch home plate and wave to us all. The vast crowd of the wounded cheered as if nothing had happened that afternoon, as if all that mattered was a half century of warm and briny love, as if all that mattered was them and us.
There was then a ceremony where Tom Seaver threw one last pitch to Mike Piazza. The last pitch thrown from that mound, the last pitch caught. Seaver and Piazza put their arms around each other and waved and then walked out to deep center and through the blue wall. It was all over, and our tears of love had to mix with our tears of bitterness. The afternoon was remembered again. People stuck around looking, sitting, standing, taking pictures. I couldn’t believe that I would never see this broad, warm familiar sight again. It was not really there anymore. It was already collapsing within itself. As I walked down the ramps for the very last time, the stadium felt eerily alive, and dying. It was dying as people actually die, with love, generosity, and an uncanny alertness. When I was finally outside of it, I looked up at the neon ghosts on the side of the building, hitting and fielding and pitching.
I walked towards the parking lot by the bay, turning around every few seconds. Finally I passed under the Whitestone Expressway and I couldn’t see the stadium anymore when I turned back towards it. I walked through the darkness of the nearly empty parking lot to my car. Not wanting to get into it right away, I walked to the promenade along the bay and sat down on a bench. I could see the lights of LaGuardia Airport, and their reflections, shimmering columns in the black water. To the left I saw the top of the Empire State Building. And off to the right in the distance was the Triboro Bridge, with its lights like the strands of a necklace. I thought of how I used to show the bridge to my infant daughter. We could see it from her very first bedroom, in Astoria. Standing, with my help, on my lap, she would look at the bridge as if she could see that something was there, but she didn’t know what it was or what it meant. I looked at the lights in the water and against the night sky. I knew that Shea was empty, but all of its lights were still on. I couldn’t see it, but I could feel it behind me.